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In Tot Tap, Miss Rosemary Boross presents an authentic first-year tap class specifically geared toward children ages 4 to 6. Miss Rosemary covers a variety of basic tap steps like shuffle, dig, heel drops, toe taps, heel taps, and cramp rolls. She carefully details and demonstrates each tap step, then incorporates the steps into simple dances rehearsed by preschool-age, beginning tap students and accompanied by original, rhythmic music by Bruce Stephen Foster. This informative, 30-minute video can be used alone or in conjunction with enrollment in a beginning tap class.
Junior Jazz is an introductory jazz dance lesson aimed specifically at children ages 4 to 6. Teacher Rosemary Boross covers four styles of dance within this "jazz" presentation: hip hop, musical theatre, rock, and swing. After demonstrating and explaining the individual steps within a combination, Miss Rosemary invites young viewers to dance along with her, two young adult helpers, and a small class of preschool children. Each dance combination has an animal theme like "Hippo Hop" and "Jungle Monkey Swing" and is set to fun original music composed by Bruce Stephen Foster and Brian Sepel with lyrics by Boross. --Tami Horiuchi
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Expert retouching Sharon Daniels shares some tips on what is happening behind the scenes on a commercial campaign that uses mainly editing profrssional "real people" rather than fashion models. -- S.H.
My partner and I recently retouched images below for the fall campaign SwitchFlops Lindsay Phillips.Until we began to retouch images Lindsay expressed Creative Director on the conceptual plan they were interested in keep realistic images and appearing spontaneous.the models included shots Lindsay Phillips itself, some of his friends and a professional model.
My work touchups to most clients typically involves developing faces and sculpture from the campaign of Lindsay Phillips organes.La I different and exciting.
Most of the images involved "everyday people," non-professional models and also children.I was able to step "standard" advertising practice retouching and keep the minimum retouching.My goal for this campaign was to maintain the natural beauty of chacun.Quand came to retouching of images of children, it was important to not pull their delicate features .c ' was actually fun to let them keep gaps in the teeth! I had no need to make them look like toddlers & tiares candidates.
The campaign used real people instead of models in a professional manner.
It was really a job where subtlety key.
Based retouching involved campaign to remove stains, hair cleaning will ship, application light "settings" for clothing when necessary and correction of the couleurs.Il was also important make the ball in the child's photo corresponds to the colour of the mark Lindsay Phillips YH ' I chatted with Lindsay on fall advertising campaign and it has communicated his unique perspective on the influence of advertising on young women.
Response: I have always had a passion for fashion and design.I have always grown cru get dressed as an art form and always seemed to find ways of creative and fun to express myself.It was a hobby at the beginning but my first real step into the world of fashion was during my last year of high school when I internee during Ralph Lauren leather-good Division in New York!
Response: Switchflops are the first interchangeable flip flops that allow you to edit on your straps to match an outfit or mood, that you may be!My favourite objects are new grey and Blue ballet flats which are interchangeable.
Answer: This is the type of process organique.Le first go around I was not the main objective, but it feels really just good for our marque.Après, it comes to lifestyle Lindsay Phillips.I am a very accessible person and I want my consumers to this savoir.En addition, always tend to like my story and it really takes to the next level.
Response:I think this is fun, including my friends in stems.It brings insight to industry, and it is easy to work with people with that you've grown.I feel as if true colors come out when you're working with you to comfortable around people.In addition, they are also quite cute!
Response:Yes, I think it is important to see images réalistes.Comme girls we have all our defects and the things we love about our body...However, when we look at magazines some girls think they can really look like digital models .c ' is an unrealistic reality.
Response:Warm colors for fall: grey, blue, violet, green and jackets goldLeather are a must have and a great new trend is false fur.Chunky knits are in advanced mode for number 1 well.My is if a trend seems not the type of your body not simply because it is in the elements that work on your fall corps.Cet style.Portez I will be avoided the bottom trend hommes.Ces clothing will not work on my frame height of 5 feet!-Sharon Daniels, skin Perfecter
Photo credit: Alan Cresto
Published on October 26, 2010
Without exception, Vincent Gagliostro was an artist both coveted multi-talented, award winning director artistic and friend. Vincent is consent that I started my career as a fashion designer. He is also the artistic director responsible for the current FocusOnStyle.com. It is with great honour and praise that I share of Richard Nahem invitation with you. Please don't miss this exceptional event. --S.H.
I cordially invite to the opening of the new installation of my partner Vincent Gagliostro, case, Thursday 21st October 6 h Gallery NeC, 20 rue the seams Saint Gervais, 3d aft
Case Thursday, October 21 6 h Gallery NeC, 20 rue Saint Gervais seams, arr. 3d, Paris
Above is the invitation and below, full information on the content of the broadcast.I look forward to see you so we can raise a glass to Vincent on this memorable, occasion.In case you cannot come to Thursday, the show will be up to 20 Novembre.La Gallery is open Tuesday to Saturday, 13-7 PM.
(1) is the title of "Table of the elements of proof Gagliostro" - a table - point of view where we enter the new installation. The text we read that we are entering the Gallery clearly states that we are in again
What is falling in love? He is a God to me, the man who is allowed to sit next to you - one that listens closely gentle murmuring of your voice, attractive laughter makes my heart beat fast.If I meet you all of a sudden, I can't speak - my language is brisée.une thin flame runs under my skin. seeing nothing, arguments as my own ear drums, drip sweat. earthquake shakes my body and I turn paler than the dry grass. These dead time is not far from me. Sappho
The wire of time, using similar to a journalist for investigating detective, strategies Gagliostro brings "proof" that delimits a landscape themes and narration pointing to the cause, as he admits, his behaviour and actions and desires that define him as a gay man in society. Objects / subjects exposed here, self-introduced as admissible evidence - designs, with laptops, photographs, documents, video, with a noticeable representation of beautiful boys - frequent "prey to my nature") expose its "compulsive desire to flirt with the subject as object and fall in love of the said question." Intern with the poetic aspirations self-referential and self-conscience he objects his subjects."I not only all lovers of the object as an object but I fall in love with falling in love." Human aspect withdraw me and the newly created object becomes the object of my tension désir.La present is that "objects" are human. "A series of portraits remind us of old tradition as a muse as the subject. Honesty Gagliostro, a fessing seamlessly place of sorts, his willingness to turn to self-witness with seeking to know himself - here goes beyond the simple confessional.It bears the burden of proof.Who is the real issue here? Gagliostro boldly and courageously speaks the heart of man, who speaks and our shared humanity.
Artist Vincent Gagliostro New York has done everything: he worked successfully as artistic director, graphic designer and video artist it is also art directed two videos music by Prince (diamonds, pearls and cream).First video installation of Gagliostro, when did you I Forget, expressed the effect of his political activism for his work as a visual artist: Gagliostro was one of the founders of ACT UP, a nonpartisan group is committed to help end the AIDS crisis.Five years ago Gagliostro moved to Paris to focus on drawing, painting and making films.He is at work on his first feature film after Louie.
Case of Vincent Gagliostro (1)
Opening on 21 October, 18 h-21 h
From 21 October to 22 November 2010
Movies: Fall 1 & 2 |Peinture .Dessin .Objets
Gallery NeC |20 street of Saint-Gervais seams Paris 75003
www.gagliostro.com
Published 18 October 2010
Sharon hosts & Brad share their style and fashionable irreverant Councils with unworkable friendly to make sure that you get chic to search for your fabulous work day Office.
SHOP:Heels down shopping guide
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Sharon and Brad household talk for the housewife: 1980s influence trends in fashion today.
Return in this day love Brad to remember, city, NY was quite the scene which is are repeated and style actuel.De way to style and even a bit of a taxi driver "removal."
Sharon and Brad are again included laughter.
FocusOnStyle asked Julie Anne Rhodes, the former model, actress, award-winning personal chef, and author of the blog “Jewels” from The Roving Stove (from VIP entrances in Versace to service entrances in my apron) to interview her longtime friend, fashion designer Elizabeth Emanuel. Here, Julie Anne shares her chat with the designer famously knwn for for creating Princess Diana's, well very Princess-like, wedding dress.-- S.H.
Designer Elizabeth Emanuel and model backstage at her Spring 2011 fashion show in London
After ten years away from the catwalk, Elizabeth Emanuel’s spring/summer 2011 collection dedicated to the Little Black Dress went down a storm in London, and the catwalk was packed tight with famous faces. Sonique sang throughout the classic but edgy show with an emphasis on bias cut and interesting silhouettes.
Fabrics in the ready-to-wear range appeared in varied shades of black and include silk moss crepe - chosen for its beautiful stretch and drape, and a black loop theme ran through both the dresses and the accessories.
>> Tips to Accessorize a Little Black Dress
The special edition range featured silk moss crepe, duchess satin and Chantilly lace with a strong emphasis on texture and layering, incorporating a raggie dress style.
First I couldn’t help imagining “I wonder if Princess Diana would be wearing these incredibly sexy, slinky dresses if she were still here today?” If the off the shoulder black dress that just sold in auction caused such a stir, these would surely cause a riot!
Elizabeth Emanuel- The Little Balck Dress Collection- Spring 2011
Then by the end of the show I was overwhelmed with emotion. After three decades in the business - Elizabeth still has the razor sharp edginess of the hippest of young designers, the vision of a creative genius, and the precision of a master in pulling the entire look together. I think my ever-so eloquent summary was, “WOW!” Once I recovered, it was “I’ll have one of each, please!”
JA: What shot through your mind first when you and David were asked to design the wedding dress of the century for Princess Diana?
EM: We knew our lives would be changed forever.
JA: What commission came first? Did you already know about the wedding dress when you made the black dress that the newly engaged Diana wore? It caused such a stir, and turned the 19 year old from Shy Di into a fashion icon overnight!
EM: The black dress was a sample that was already made and hanging on the rail. By the time Diana wore the dress we had already been asked to make her wedding dress.
JA: Do you ever feel an attachment to specific pieces you’ve created? Did you harbor a secret desire to bid on the black dress that went for a whopping $276,000.00 in auction last May?
EM: The original black dress had been lost for many years and anyway we had never intended to put it back together. After 30 years David and I decided it was time to let go of our Royal Wedding Dress Archive collection and luckily found the black dress so that we could also put it in the auction. I’m glad it went to such a good home.
JA: Forgive my rudeness in asking, because divorce is never pleasant, but for you it also meant splitting up a very successful collaborative partnership. Was it difficult in the beginning to redefine your design perspective solo?
EM: I was responsible for most of the designs at Emanuel so I just carried on doing what I love to do!
Elizabeth Emanuel- The Little Balck Dress Collection- Spring 2011
JA: The list of celebrities and dignitaries you have dressed is as diverse as it is extensive. What do you think the secret is to your versatility and ability to design for every size, shape, social background, and event?
EM: I see every design as a challenge and put emphasis on the best features of the wearer so that they feel wonderful wearing my designs.
JA: You made a lifetime dream come true for me when I got to wear some of your exquisite period costumes. Was it driven as much for you by a little girl’s desire to play dress up?
EM: As a little girl I used to love dressing up my Sindy doll and especially loved raiding my mothers wardrobe and trying on her shoes and dresses. I also loved painting and costume design and was especially inspired by the colors and textures found in costumes from the ballet.
JA: You’ve obviously been in massive demand for wedding dresses, couture gowns, period costumes for films television and pop videos – even the Royal Ballet Company, plus you have designed uniforms for Virgin Airlines in addition to your high fashion collections. Is there a medium that you prefer to the rest, or do they inspire and feed off of each other?
EM: I love design challenges and each challenge inspires another.
Elizabeth Emanuel- The Little Black Dress Collection- Spring 2011
JA: One of the things I love most about your work is your modern twist on various periods throughout history. If there were a time machine that could transport you to another era, where would you like to travel and why?
EM: I love fashion from the 18th and early 19th century. I love the fact that everything was made by hand and the extraordinary details and beautiful hand dyed colors found in clothing from the period. Also that the dresses were so feminine and flattering.
JA: Tell me a little about how your new line the “Art of Being” came about, and what has inspired the little black dress collection?
EM: I lost the use of my name many years ago, but five years ago I was able to set up again under a new label Art of Being. I love creating textures using fabric and embroidery in the same way as an artist uses paint. It’s a technique I learnt when I designed costumes for the Royal Ballet. In a sense a woman’s body becomes the canvas for my art – hence the name of my label, Art of Being. The business was initially couture but I had the opportunity to design ready to wear for the first time this season and the theme of the Little Black Dress seemed perfect since everyone needs one in their wardrobe.
Elizabeth Emanuel- The Little Black Dress Collection- Spring 2011
JA: I’m intrigued by your ability to design the epitome of billowing romance to provocative, burgeoning on risqué, yet classy enough to pull it off. Which end of the spectrum is most prevalent in your own closet?
EM: I’m afraid my own wardrobe is quite boring. All my creativity goes into designing for others. I love to wear black and because I am only 5ft tall I tend to wear very simple styles.
Elizabeth Emanuel- The Little Black Dress Collection- Spring 2011
JA: I have to ask, do you design ALL of your own clothes, or is it sometimes the case of the cobblers’ children going to school barefoot?
EM: I try to only wear clothes I have designed myself but my designs tend to be more for evening or dressing up. For day time I mostly wear leggings and I love layering of knits and cotton jersey tops.
JA: What is next for the Art of Being, and what is next for you? Is there a frontier you’ve yet to conquer?
EM: I’d like to bring in investment so I can develop Art of Being into a major international luxury brand. -- Julie Anne Rhodes
Sharon and Brad household talk for the housewife: we love the appearance of a mini skirt when it is done right.
But what about when too much is really just too?
You know the type... the ladies with so short that you can locate their Vajazzling kilometre skirts later... ah well, almost.Do not go slutty, chic go with mini skirt dress tips still look hot and flatter your figure.
You know that there is nothing we love more here than a good dog costume and a fab parade and contest to show off the coast. This is the time of year again when New Yorkers donning their bark better and go a bit experimental and bouffon their best friend's name.
This weekend, the 20th annual Tompkins Square Halloween Dog Parade in support of first run dog park in the East village has its share of suspect usual (one) to steal the show everything to plaisir.Le master of ceremony was "Snooki", see below.
Robot that Wrecks in the area of the city
MOM must admit that her sons fired in a first place in their group for a total robot which destroyed the city is by kid theme.I think that the poodle must have been a fit model in a former life of his patience unbrideled in the process of "decoration".
Shark Attack has won a prize!
On bed bugs, royalties, pizza, transformers, Member of the working press, a polo player, a woman in her dress and hair curlers, an shark attack 3 legs, a thug or two, some evil bats and what you and your pooch could possibley envision.Meilleur show visited the Grabber version of Scarlett o ' Hara, but all pets put on their best show.
Like many Scarlett, non?
Parade Halloween Dog is really quite the scene and fab for your costume Halloween Weekend thoughts inspriration prochain.Jetez eye blow...
Photos: FocusOnStyle
Published 25 October 2010
Seems there is a mixer somewhere in Ukraine is able to mash-up vintage Dear, throw in a touch of Lady Gaga, add a few Russian foil and produce a fairly tasty result as a good bowel Borscht.
Seems great style is channeling cheap vintage
We do everything to let your freak flag kick at your pace more eccentric and even give the benefit of the doubt that these designs will translate into our culture.Mais some of them are not yet well made!
Slastion seems to desired private Armani Lady GaGa keychain
Is it you would wear these?
Take a look at what not to wear spring runway Lviv Fashion Week, in our opinion, obviously!
Sabotage is looking a little Comic-con
It was at Comic-con?
Slobojan is one thing for stairs and fairly tale characters
This "Dynasty" sabotage meets human Michelin number merit a 2nd eye blow
Photo: image .NET
Published on 01 November 2010
We are always surprised by a woman how French savors a candy... as a special treat that you want to linger and slowly Digest on your palette and thoughtful manner. This is exactly how we think Paris Fashion Week for spring 2011.
Among the most divine parts have proved for the week of fashion we enjoy their front we can share with you. Naveed Hussain puts at your disposal the best of Paris Fashion Week.Enjoy!-- S.H.
As always, the season mode do you also exciting and inventive nowhere elsewhere as they do in Paris.Here's our look at our favorite spring/summer 2011 the city of light.
What can say us, we - as many of you - failed to get enough of what Phoebe Philo to Céline and effort of the spring is once more, right on the money .Son action in confident woman is still there, but it was only collections take on free spirits yetti fresh again above .and while keeping his leather separates mantle and crisp tickling takes the white button makes an appearance, we are particularly keen on his new fluid pants.
Yves Saint Laurent - spring 2011
Yves Saint Laurent - spring 2011
Stefano Pilati spring 2011 CSV collection was a piece on rejuvenating home with a seductive finesse that felt aggressively Parisian codes and sexually charged its severity.Here, the charming came via details: contrast wrinkles of flamenco, open back, size of graphics cut and dropped shoulder.
Sci-fi Teddy boys Nicolas Ghesquiere sent for spring 2011 were all provocations and beautifully executed Balenciaga-ISMS could hope for fleet is one less daring sense of the avant-garde, where overall appearance can be taken separately for an interesting range of redesigned classics tux adjusted to white button jackets crisp downs, this realistic rarely looks at this bold on a runway.
Each season should look at some vintage flair and romantic of Rochas 70 MOM Parisian chic felt fresh with powder, muted colours and relaxed fluidité.Pajama separates simple bias and without fuss cut goddess gowns with 40 ambience which closed the show were a powerful display of Marco Zanini luxury soft and subtle vision.
Carven that seems to have returned from anywhere with a few smart collections, well priced, which presents a careless Parisian girlishness which is both arrest and redesigned relaxed réaliste.Sépare came with just the right amount of Lolita loucheness and crisp preppiness making Carven and its price of $400 points particularly workplan souhaitable.Printemps 2011 was easy to a 3.1 Phillip Lim collection mixed with the attitude of the girl Charles Anastase coquettish courteous portability.-Naveed Hussain
Photos: Via VagabondNYC
Published 19 October 2010